"envisionment" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "envision",
        "3": "ment"
      },
      "expansion": "envision + -ment",
      "name": "suffix"
    }
  ],
  "etymology_text": "From envision + -ment.",
  "forms": [
    {
      "form": "envisionments",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "1": "~"
      },
      "expansion": "envisionment (countable and uncountable, plural envisionments)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -ment",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2009 March 1, Dave Kehr, “Marching Backward Into the Avant-Garde”, in New York Times:",
          "text": "Wallace Berman’s “Aleph,” made and frequently revised between 1956 and 1966, uses shaky newsreel and home-movie footage obscured by paint, scratches and Letraset symbols applied directly to the celluloid to evoke a more hardcore experience, one that Mr. Brakhage described as “the only true envisionment of the ’60s I know.”",
          "type": "quote"
        }
      ],
      "glosses": [
        "The process or result of envisioning."
      ],
      "id": "en-envisionment-en-noun-KcC21qjL",
      "links": [
        [
          "envision",
          "envision"
        ]
      ],
      "tags": [
        "countable",
        "uncountable"
      ]
    }
  ],
  "word": "envisionment"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "envision",
        "3": "ment"
      },
      "expansion": "envision + -ment",
      "name": "suffix"
    }
  ],
  "etymology_text": "From envision + -ment.",
  "forms": [
    {
      "form": "envisionments",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "1": "~"
      },
      "expansion": "envisionment (countable and uncountable, plural envisionments)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English nouns",
        "English terms suffixed with -ment",
        "English terms with quotations",
        "English uncountable nouns",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "2009 March 1, Dave Kehr, “Marching Backward Into the Avant-Garde”, in New York Times:",
          "text": "Wallace Berman’s “Aleph,” made and frequently revised between 1956 and 1966, uses shaky newsreel and home-movie footage obscured by paint, scratches and Letraset symbols applied directly to the celluloid to evoke a more hardcore experience, one that Mr. Brakhage described as “the only true envisionment of the ’60s I know.”",
          "type": "quote"
        }
      ],
      "glosses": [
        "The process or result of envisioning."
      ],
      "links": [
        [
          "envision",
          "envision"
        ]
      ],
      "tags": [
        "countable",
        "uncountable"
      ]
    }
  ],
  "word": "envisionment"
}